Archipelago Productions has a development slate that spans feature film, television, and works for stage and festivals.

We aim to develop and create work locally, in collaboration with interstate and international partners, that brings the world to us, and the work to the world; projects that are born of place, but which reach far beyond our perceived isolation.


Through our stories we aspire to

1.  Connect artists and organisations,

2. Bring exceptional thinkers to our shores,

3. Create opportunities for local creatives, and

4. Export artistic and cultural projects that paint Tasmania as a viable and exciting place to create new work, extending our ambition, thinking and reach.


Through quality, supported work driven by passion, we can simultaneously:

-engage with pressing social issues,

-nurture new talent,

-strengthen industry standards,

-create jobs

-and develop products that travel the world. 


Archipelago Productions has its sights set on promoting Tasmania as the most exciting corner of the country.  A place in which to risk, innovate, and inspire.

In recognition of the deep history and culture of this island, we wish to acknowledge the Tasmanian Aboriginal community, who are the traditional owners and continued custodians of the land and waters of lutruwita (Tasmania).

Who we are



Award-winning actress Marta Dusseldorp has worked extensively in theatre, film and television and is one of Australia’s most recognised actresses.


Marta received the AACTA Award for Best Lead Actress in a TV Drama for ABC’s Janet King in which she plays the title role and is also an Associate Producer. She stars in the popular series A Place to Call Home for Foxtel and in the ABC series Jack Irish opposite Guy Pearce. Marta has been nominated multiple times for AACTA and TV Week Logie Awards in Lead Actress categories for her work in these productions. Marta was most recently nominated for Most Popular Actress at the 2019 Logie Awards.


Her numerous other television credits include the six-part Blackjack telemovies opposite Colin Friels, Devil’s Dust, and the award-winning mini-series After the Deluge. Recently Marta appeared in the ABCTV mini-series Stateless opposite Cate Blanchett and Wentworth for FOXTEL.


Marta has a wealth of experience on stage including being a member of Sydney Theatre Company’s Actor’s Company where she received a Helpmann Award for her role in Shakespeare’s War of the Roses. Other STC highlights include Victory, The Lost Echo, Serpent’s Teeth, Mother Courage, The Crucible and Never Did Me Any Harm (STC/Force Majeure). For Malthouse Theatre: Journal of the Plague Year/Ham Funeral, MTC - Three Sisters and The Balcony, Company B’s international tour of Cloudstreet. Most recently she starred to great acclaim in Melbourne Theatre Company’s A Doll’s House: Part 2, Gloria for the Griffin Theatre, Scenes from a Marriage at Queensland Theatre, The Deep Blue Sea for STC and performing in Archipelago Productions' sell out seasons of Venus and Adonis and The Bleeding Tree at Hobart's Theatre Royal.


Her film credits include Paul Cox’s award-winning Innocence, John Curran’s Praise, Bruce Beresford’s Paradise Road, Jonathan Teplitzky’s Burning Man and Ellie & Abbie directed by Monica Zanetti.


Marta is currently executive producing, co-producing, developing and creating television for the national and international television marketplace with leading Australian television companies such as Bunya Productions, Utopia Media, Every Cloud, and Fremantle. 


She is on the boards of Creative Island in Tasmania, the Dusseldorp Forum and the Screen Export Advisory Council for Screen Producer’s Australia. Marta is also part of the 26Ten Coalition.

Winspear, Ben.jpg


As a director Ben has steered a number of new productions for Sydney Theatre Company, where he was Resident Director for three years including Morph, These People, This Little Piggy, Metamorphosis and Thyestes.  He also co-directed Victory for STC, ran numerous play readings and developments and judged for the Patrick White Award and Young Writers Award. 


Other productions include Saved at NIDA, Insect!, Pantagleize, and Monkey for UNSW, Macbeth, King Lear, The Tempest with STC Education, The Bluebird - Cranbrook School, Silver at Downstairs Belvoir and The Feather in the Web for Griffin Theatre 


As Associate Artist for Griffin Theatre he was Associate Director on Gloria, and for three years was responsible for running the artist development programmes there. 


As assistant director, Ben has worked with Barrie Kosky (on three productions, Oedipus, Women of Troy and La Grand Macabre), Robyn Nevin (Don Parties On), Howard Davies (The Cherry Orchard), Garry McDonald (Stones in His Pockets), and Jean Piere Mignon (The Miser).


Most recently he produced and directed the sellout seasons of The Bleeding Tree by Angus Cerini re-opening The Theatre Royal and Venus and Adonis at St David's Cathedral during the pandemic. In Tasmania he has also directed Monkey for Big Monkey, The Gardens of Paradise with Ten Days on the Island,Twelve Times He Spoke for Blue Cow, and Gruesome Playground Injuries for Tas Theatre Co.